Ghanaian Movie Review: Nana Means King 2015 *The Opening Chapter*
GhMovieFreak is here to stay..
It’s safe for me to say… the
Ghanaian Movie industry is on the rise… things have changed… mediocrity is no
longer the status quo. The revolution has started!!
Those were exactly my thoughts after
watching Nana Means King, which tells the story of Nana Kwame, a betrayed
Ghanaian working illegally in the UK who finds himself on a quest, not only to
survive, but to re-envision a life beyond his own shattered dreams.
Although this plot, on the surface,
seems quite similar to that of Afua’s
Diary (Our last review) it is entirely different. This Nana Obiri Yeboah (Known for directing The Cursed Ones) directed story
highlights the psychological battles and challenging situations that black
illegal immigrants face. Of course this is certainly something any Ghanaian can
relate to in one way or the other. The fact that a story of this nature is well
told in a movie as good as this should not go unappreciated.
It would suffice to describe the
Directors/Makers approach to telling this particular story as a carefully
illustrated psychological drama. It would also be fair to say that the Ghanaian
audience is generally not used to an approach like this. But then, I believe the
Ghanaian movie scene could really use some more movies like this. It’s hard not
to acknowledge the clarity of how the story seeks to address some of the psychological
issues that illegal immigrants face.
Right from the start, you sense
that the movie is slow paced and laid back with the story line carefully unfolding.
Regardless, it is intriguing and intense enough to keep you at the edge of
your seat as the story progresses.
Prince
David Osei was cast for the lead role.
And top of my head, I can’t think of anyone who could have done a better
job at playing the character of Nana Kwame. He gave a classic PDO
performance and was spot on in his delivery of his role. I am most happy that, in a typical UK setting
he did not try to force a British accent. The performance from supporting lead, Richard Armah who plays the role
of Chris Kuma cannot go unmentioned. Although a new face, his interpretation of
is character was natural and very impressive as well. I would love to see more
from him.
I also liked that this movie did not take advantage of popular sites or scenery from the UK, so it becomes easy for the viewer to look beyond the fact that it was set, shot and produced in London. The cinematography was also different and added to the intense vibe that the movie exudes from start to finish.
Overall, the production wasn’t flawless,
there were several scenes where the quality of sound sort of fluctuates and
makes it difficult to follow the dialogue. Of course we would expect better
than that from a London based production house.
I also did not like that some
of the dialogues also seemed quite boring, obviously because of the slow pace
of the movie. But that did not in any way affect the quality of this movie. It
would be easy for anyone who isn’t paying attention to the actual story being
told to argue that that this movie is boring. But no, this is a great movie, it is deeper than it seems.
The story line as it is in this
defining chapter does leave holes in the plot of the movie. But we can only
hope that the next installments do well to patch up these holes.
Its 75mins run-time, although
short, is certainly worth it. Chapter one of Nana Means King does lay the
foundation for a great story and its climax, sets you up to expect and
anticipate more from the next sequel of this trilogy. (Yes, be expecting two
more chapters)
That is why GhMoviefreak would
like to score this movie 6.5 /10.
GhMoviefreak strongly recommends that anyone who supports the growth of the Ghanaian film industry must do well to go watch this movie.